Re: MF lenses on AF bodies at Try one anyway ;-) I prefer manual focus for almost everything, but the three Limiteds have a really nice manual focus feel. It's not the same as the feel of a manual Pentax lens, but it's different rather than worse - it's much nicer than any other AF lenses I've used used in manual focus (except the F* and FA* ones with the focus clutch), and, come to that, nicer than many other manufacturer's manual focus lenses. The build quality of these lenses is simply outstanding. Yes, the image is very bright, and with the shallow depth of field, things really 'snap' in and out of focus. It's only half a stop faster than an f1.4, and a lot heavier, but the reduction in DoF wide open is noticeable. I think it is less sharp than the f1.4 at apertures wider than f5.6 or f8, but after that it is a very useable 'sharp' lens. Wider, its advantages are all about bokeh, speed, and ease of focusing. I like it most with B&W, and it is a very nice lens for semi-candid portraits (I also like the 85mm f1.8 K and 135mm f1.8 A* for this, and no doubt the 85mm f1.4 would be nice too, if I could afford one). Someone asked about 50mm as a portrait lens here a while ago, and I put up a picture taken with the f1.2 as an example: http://www.bard-hill.co.uk/temp/Corinna_50mm_f1-2.jpg This one was taken during the interval of a rock concert, in a bar lit only by flourescent tubes, with the Pentax SMCPA 50mm f1.2 wide open on TMax3200 rated at 1600. You can see in the eyes how shallow the DoF is, and how fast it falls off in the background: those blurry shapes are people probably no more than twice as far from me as the model is. I recently did a portrait lens and where the model's father said it reminded him of the movie star portraits of the '40s. I think this was partly due to my lighting, but also to the very shallow DoF, which would have reminded him (subconsciously, I expect) of the effect of those LF Hollywood portraits - not that I'm saying the lens is like LF in any other respects, of course! Peter Bandicoot
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